Whether one is free or not is a trivial question, yet the piece ‘Secretly Bound’ examines precisely this superficiality with which people nowadays sometimes treat those around them – here in Berlin and in many other places.
Through self-deprecating humour and playing with stereotypes, Konstantin Wloch explores this world and seeks a different way of speaking about the political climate in (East) Germany: perhaps with more compassion and humour.
At the same time, the solo holds up a mirror and shows what can happen when people see only their own fears in others, rather than the people themselves.